The MIDI track in his DAW began to write itself. Notes slammed onto the piano roll, hundreds at a time, creating a cacophony of discordant noise. The tempo of the project began to race, climbing from 120 BPM to 200, then 300.
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While the progress bar crept forward, Julian opened his DAW (Digital Audio Workstation). He loaded up Kontakt, the sampler engine required to play the library. He had a cracked version of that, too. His studio was a house of cards built on stolen software. The MIDI track in his DAW began to write itself
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