It also won the Grammy for Best Dance/Electronic Album in 2017, beating out heavyweights like Jean-Michel Jarre and Tycho. This validation from the mainstream industry proved that experimental pop had a place at the table.
Unlike his first album, which was made in a bedroom studio in Sydney, Skin was designed for the festival stage. The "story" of the production is one of . He wanted the sound to be bigger, bolder, and more three-dimensional. flume skin album
🎨 Similar 3D organic shapes, but with shifted color palettes (cool blues, greens, purples). ✅ Used for Skin Companion EP 1 and 2 . Each has a unique but matching aesthetic. It also won the Grammy for Best Dance/Electronic
Following the massive success of his self-titled debut in 2012, Flume found himself paralyzed by writer's block and the intense pressure to please everyone. He felt trapped by the "chillwave" sound he had helped popularize, fearing that his style was being overdone by other producers. The Escape to Mexico The "story" of the production is one of
The Evolution of a Sound: A Deep Dive into Flume's "Skin" Released on May 27, 2016, by the Future Classic label, is the second studio album by Australian electronic pioneer Flume (Harley Edward Streten). Far more than just a follow-up to his self-titled 2012 debut, Skin served as a bold architectural expansion of the "future bass" genre, blending abrasive experimentalism with chart-topping pop sensibilities. A Sound That "Tears the Fabric of the Universe"
The title Skin serves as a metaphysical representation of the soul, exploring themes of intimacy and the contrast between the organic and the synthetic. This duality is perfectly captured in the album’s iconic artwork by Jonathan Zawada , which features a digital, hyper-real Foxglove flower against a pastel gradient. Streten noted that he was fascinated by how technology could be used to contort real-world objects into "alien" forms, mirroring his production style.