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The industry found its voice through the works of writers like M. T. Vasudevan Nair and directors like Adoor Gopalakrishnan and G. Aravindan. While the rest of India was watching car chases and lost-and-found dramas, Kerala was watching Elippathayam (The Rat Trap, 1981).

So, if you want to know what it means to be a Malayali, do not go to a museum. Do not read a textbook. Sit through a three-and-a-half-hour Malayalam film with no interval. Watch a man fight the rain, lose his love, argue about Marx, cook a sadya (feast), and finally, sit on his verandah in the evening, silent. The industry found its voice through the works

A Social History of Malayalam cinema from its origins to 1990. - IJHSSI lose his love