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In Psycho (1960), Alfred Hitchcock gave us the ultimate toxic mother, Norma Bates (via her son Norman). While we never see her alive, her voice is the superego that kills. The lesson here is about the inability to separate: Norman literally preserves his mother to keep her from leaving. Cinema uses horror to warn against enmeshment—the state where a son stops being a man and becomes an extension of his mother’s will.

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Literature often explores the interiority of these bonds, focusing on the tension between a son's need for independence and a mother's impulse to protect. 6 Signs of Mother-Son Enmeshment & How to Spot Them In Psycho (1960), Alfred Hitchcock gave us the