The movie uses a story-within-a-story framing device. It begins with a modern-day marriage counselor speaking to a young woman, Lisa, who is considering an affair. The counselor tells Lisa the story of her "sister," Judith, which unfolds in a lengthy flashback. Tyler Perry's Temptation Movie Review - Common Sense Media
In the sprawling cinematic universe of Tyler Perry, there are comedies, there are dramas, and then there are "morality plays dressed in designer gowns." Released in 2013, Temptation: Confessions of a Marriage Counselor falls firmly into the last category. It is a film that feels less like a subtle exploration of human relationships and more like a freight train powered by scripture, melodrama, and a very specific worldview on the wages of sin.
And then there was Mark.
That is the ultimate taboo. Not the lust of the body, but the betrayal of the role.
Six months later, Marcus lost his license. His marriage crumbled. The client—now his ex-boyfriend—filed a complaint with the board, not out of malice, but out of the bitterness that follows a messy breakup. Marcus now sells real estate. He still calls me sometimes, drunk, and says, “She made me feel alive. Was that so wrong?”
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The movie uses a story-within-a-story framing device. It begins with a modern-day marriage counselor speaking to a young woman, Lisa, who is considering an affair. The counselor tells Lisa the story of her "sister," Judith, which unfolds in a lengthy flashback. Tyler Perry's Temptation Movie Review - Common Sense Media
In the sprawling cinematic universe of Tyler Perry, there are comedies, there are dramas, and then there are "morality plays dressed in designer gowns." Released in 2013, Temptation: Confessions of a Marriage Counselor falls firmly into the last category. It is a film that feels less like a subtle exploration of human relationships and more like a freight train powered by scripture, melodrama, and a very specific worldview on the wages of sin.
And then there was Mark.
That is the ultimate taboo. Not the lust of the body, but the betrayal of the role.
Six months later, Marcus lost his license. His marriage crumbled. The client—now his ex-boyfriend—filed a complaint with the board, not out of malice, but out of the bitterness that follows a messy breakup. Marcus now sells real estate. He still calls me sometimes, drunk, and says, “She made me feel alive. Was that so wrong?”
