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The most compelling recent evolution is the “anti-romance” drama: films like Marriage Story (2019) or Aftersun (2022). These are not stories of falling in love, but of falling out of it—or of loving someone you cannot save. Marriage Story opens with a list of “What I love about my partner,” then spends two hours showing the legal and emotional demolition of that love. It is excruciating. It is also riveting. The film suggests that the end of a love story is still a love story. Loss is not the opposite of romance; it is romance’s shadow.

It was the performance of their lives.

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