Studio Lilith emerged from that trust. A trio of artists who met at a workshop and kept meeting afterward, honing a practice that felt equal parts rehearsal and exorcism, the collective was named for its contradictory mythic associations — Lilith as rebel, as ruin, as regenerative darkness. Their work was a collage of borrowed sounds, frames lifted from surveillance footage, photographs of abandoned playgrounds, and interviews with women who remembered being younger under different regimes. They produced sequences that did not announce their politics directly; rather, the politics seeped through in texture, in what was left in the frame and what was cropped out.
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