As the group’s signature chant goes: "Somos la calle, somos el show" (We are the street, we are the show). In the end, there is no higher praise than that.
This analysis draws on Henry Jenkins’ concept of (children as active meaning-makers), John Fiske’s popular media resistance (subordinate groups using media to negotiate power), and Stuart Hall’s encoding/decoding model (how localizations produce different readings). Additionally, it applies critical childhood studies (Corsaro, 2018) which posits that children create peer cultures distinct from adult-controlled institutions.
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