In Dear Zindagi , he subverts that entirely. When Kaira, conditioned by cinema, mistakes his empathy for attraction and impulsively kisses him, Jug does not kiss back. He holds a boundary. He gently, yet firmly, explains the concept of transference (projecting feelings onto a therapist). He tells her, "A temporary feeling of connection is not love."
“You keep saying your mother didn’t love you enough,” he said one afternoon. “But your mother stayed up with you when you had fevers. She fought your school bully. She worked double shifts. Maybe her love wasn’t perfect. But was it absent?” Dear Zindagi
The cinematography, handled by Kunal Banerji and Ayan Mukerji, is equally impressive. The film's visuals are stunning, capturing the vibrant colors and textures of Mumbai's streets and landscapes. The cinematography adds a sense of energy and dynamism to the film, perfectly capturing the spirit of Kaira's journey. In Dear Zindagi , he subverts that entirely