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Revolution in Indian Media & Entertainment Sector | EY - India

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Stories from Assamese, Manipuri, and Gujarati cinema are finding space on the global awards stage, from Berlin to London. India Media and Entertainment Market Trends (2026-2035).

Indian media has undeniable energy—bollywood spectacle, regional cinema depth, OTT experimentation—but too often, it plays it safe. For every Kantara or Gullak , there’s a flood of formulaic remakes, biopics, and star-vehicle rom-coms that recycle the same beats. Revolution in Indian Media & Entertainment Sector |

Simultaneously, Indian popular media has moved toward thematic maturity. The industry has finally begun to dismantle the one-dimensional hero. In films like Jawan (2023) or RRR (2022), the hero is no longer a faultless god but a morally conflicted force of nature. More importantly, the "better content" revolution is visible in the rise of female-led narratives that go beyond the "wronged woman seeking revenge" trope. Films like English Vinglish (2012) and Queen (2014) paved the way for OTT hits like Darlings and Kohrra , where women are not just plot devices but complex agents of their own destiny. Even in popular media, the conversation has shifted from objectifying item numbers to celebrating films like Mimi (2021), which tackles surrogacy with empathy and humor.