Wolfe's essay begins by describing the art world as a rarefied and exclusive sphere, where artists, critics, and collectors engage in a game of one-upmanship, with each trying to outdo the others in terms of innovation and avant-gardism. He argues that this world has become a self-referential bubble, where the value of art is determined by its ability to shock, provoke, and conform to certain ideological and aesthetic norms. Wolfe contends that this culture of elitism and exclusivity has led to the devaluation of art as a meaningful form of expression, reducing it to a mere commodity to be bought, sold, and traded.
: Wolfe singles out three "kings" of art theory—Clement Greenberg, Harold Rosenberg, and Leo Steinberg—who he claims dictated what was valuable based on intellectual constructs like "flatness". Insularity
In conclusion, "The Painted Word" is a thought-provoking and engaging collection of essays that showcase Tom Wolfe's unique writing style and his incisive analysis of art, culture, and society. If you're interested in exploring Wolfe's work further, "The Painted Word" is an excellent starting point.
When reading, look for these specific sections to visualize: The Evolution of "Flatness"
In today's digital age, accessing classic essays like "The Painted Word" has never been easier. The PDF version of the essay offers several advantages over traditional print formats. Here are a few reasons why the PDF version is a better way to experience Wolfe's masterpiece:
When Wolfe wrote The Painted Word , he was mocking the 1960s and 70s. But read the book digitally in the 2020s. Replace "Greenberg" with "Instagram art critic." Replace "Abstract Expressionism" with "NFT theory."
