Searchers append to find unauthorized copies of the film. These directories are the modern-day equivalent of a back-alley bootleg. While the promise of a one-click download is tempting, the reality is often much darker than the coal mines of Wasseypur.
Rajeev Ravi’s handheld camera work gives the film a documentary-like feel that immerses you in the coal mines and dusty streets.
The story is divided into two parts, spanning from the late 1940s to the 2000s: