Metaphysical qualities are not stated; they are shown through the concretization process. A detective story without the quality of “the menacing” falls flat. A tragedy without “the tragic” is merely sad. Ingarden insists that the presence of such qualities is what distinguishes a mere literary text (e.g., a telephone directory) from a literary work of art .
At the base are the material sounds of language – not just physical noise, but the ideal phonetic shapes of words (vowels, consonants, intonation). For Ingarden, even silent reading involves a quasi-auditory layer. Poetry exploits this stratum most obviously (rhyme, alliteration), but prose cannot escape it.
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Metaphysical qualities are not stated; they are shown through the concretization process. A detective story without the quality of “the menacing” falls flat. A tragedy without “the tragic” is merely sad. Ingarden insists that the presence of such qualities is what distinguishes a mere literary text (e.g., a telephone directory) from a literary work of art .
At the base are the material sounds of language – not just physical noise, but the ideal phonetic shapes of words (vowels, consonants, intonation). For Ingarden, even silent reading involves a quasi-auditory layer. Poetry exploits this stratum most obviously (rhyme, alliteration), but prose cannot escape it.
