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They meet on page one. By page three, they are staring into each other’s eyes, feeling a "magnetic pull." The reader feels nothing. Attraction must be earned. When you skip the flirting, the misunderstandings, and the clumsy getting-to-know-you phase, you rob the audience of the dopamine hit that comes when two people finally connect.
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Every writer has been there. You’re 200 pages into a novel, or halfway through a screenplay, and you realize it: the romance is boring. The couple has no chemistry. The "will they/won’t they" tension has evaporated, leaving behind nothing but tedious arguments or syrupy sweet declarations of love. They meet on page one