I Am Pottery 01 2015 - Female War

Around the vessel, scattered on the floor, are fired clay bullets. Not real ammunition, but ceramic replicas: tiny, hard, useless except as symbols. A looped audio plays: the sound of a potter’s wheel spinning, then a woman’s breath, then the distant thud of artillery.

The series is celebrated by niche cinema enthusiasts for its "thrilling storytelling" and ability to convey deep emotion even to non-Korean speakers. It is often described by viewers from platforms like Letterboxd as an "emotional rollercoaster" that focuses on the "textures of life" and the personal costs of societal expectations. Female War Series — The Movie Database (TMDB) female war i am pottery 01 2015

Here is a useful report on the publication and the artist likely referenced. Around the vessel, scattered on the floor, are

Doggie is a single herbalist who lives a quiet life in a remote mountain village. His life is disrupted when his old friend Chang-guk, who is on the run from the police after a failed business venture, arrives at his home seeking a place to hide. The series is celebrated by niche cinema enthusiasts

There was a ritual quality to the installation. The room smelled of kiln smoke and resin; low hums of recorded voices—confessions and lullabies—threaded through the space. Visitors were given small clay tokens to place by works that resonated, creating a communal map of empathy and protest. A centerpiece—a large, cracked amphora—bore a stitched canvas band with names of women lost or overlooked in wars both literal and structural: labor strikes, caregiving burdens, migrations. It read like a monument that refuses singular heroism and instead honors the cumulative endurance of many.