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Recent "new generation" films have significantly challenged traditional cinematic tropes: Deconstructing the Hero : Films like Kumbalangi Nights (2019) are praised for decoding toxic masculinity

Landmark films like Neelakuyil (1954), which tackled caste discrimination, and Newspaper Boy (1955), inspired by Italian neorealism, set the stage for a cinema that was intellectually rigorous and socially conscious. which tackled caste discrimination

However, Malayalam cinema has also faced criticism for its portrayal of women and marginalized communities. Some films have been accused of reinforcing stereotypes and perpetuating social inequalities. For instance, films like "Manu" (2018) and "Aadujeevitham" (2020) have been criticized for their representation of women and lower-caste individuals. These criticisms highlight the need for more nuanced and thoughtful storytelling in Malayalam cinema. and Newspaper Boy (1955)