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Mid‑afternoon brought the old railway bridge. Here, Mohan switched to the handheld rig, allowing the camera to sway slightly with the rhythm of teenagers skateboarding across the rusted steel. The motion was purposeful, mimicking the energy of the youth. The camera followed a boy performing a flawless kickflip, then panned up to the sky where a lone cloud drifted lazily.

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Mohan, on the other hand, was a tinkerer. A former electrical‑engineering student turned filmmaker, he had a knack for building custom rigs, stabilizers, and lighting rigs from spare parts he scavenged from the local hardware store. When they met at a community workshop, it was like two puzzle pieces snapping together—Jill’s eye for narrative and Mohan’s technical wizardry. Mid‑afternoon brought the old railway bridge