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She then places the fork down. Softly. Defiantly. And whispers: “I’ve already eaten enough of your kind.”

| Year | Title | Role | Notes | |------|-------|------|-------| | 1977 | The Cassandra Crossing | Young passenger | Early minor role | | 1980 | Inferno | Young girl in library | Dario Argento’s supernatural horror | | 1982 | Tenebrae | Maria Albini’s friend | Another Argento giallo | | 1982 | The New York Ripper | Eva (the killer’s daughter) | Controversial Lucio Fulci slasher | | 1982 | A Blade in the Dark | Katia | Lamberto Bava slasher | | 1983 | The House of the Yellow Carpet | Silvia | Psychological thriller | | 1985 | Demons (Dèmoni) | Hannah | – cult zombie-demons film | | 1986 | The Devil’s Honey | Jessica | Erotic thriller by Lucio Fulci | | 1987 | Cobra Verde | Eugenia | Werner Herzog’s period drama with Klaus Kinski | | 1988–90 | Several TV films | Various | Less prolific after late 80s | lara wendel eva ionesco nude scenes of maladolescenza top

Eva has been cleaned up, dressed in a white nightgown, and forced to sit at a long, ornate table with the German family. The matriarch carves a roast. The father pours wine. They speak of order, purity, and “the old ways.” Eva knows, from a hidden cellar, that the “meat” is human. She then places the fork down

After a brief period in the spotlight, he largely moved away from the film industry, with his professional credits becoming infrequent following the late 1970s. And whispers: “I’ve already eaten enough of your kind

Laura, a 12-year-old girl who spends her summer in a forest with her friend Fabrizio.

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